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Things you buy through our links may earn New York a commission. Edited by Stacey Wilson Hunt. All that and more? We left that judgment to those who know best — the writers. Here are their selections ranked in order of popularity, best movie review writer for hire usa, with ties broken by usand representative testimonials for each. The Voters: 1, best movie review writer for hire usa.
Scott Alexander Ed Wood, Man on the Moon ; 2. Judd Apatow Knocked-Up, The Year-Old Virgin ; 3. Scot Armstrong Old School, The Hangover Part II ; 4. Andrea Berloff World Trade Center, Straight Outta Compton ; 5. Margaret Betts Novitiate ; 6. Mike Binder The Upside of Anger, Black or White ; 7. Mark Bomback T he Wolverine, War for the Planet of the Apes ; 8. James L. Brooks Terms of Endearment, Broadcast News ; 9.
Allison Burnett Autumn in New York, Underworld Awakening ; Stephen Chbosky The Perks of Being a Wallflower, Wonder ; Sofia Coppola Lost in Translation, The Beguiled ; Diablo Cody Juno, Young Adult ; Lee Daniels The Paperboy ; Emily V.
Gordon The Big Sick ; David Gordon Green All the Real Girls, Goat ; Paul Haggis Million-Dollar Baby, Crash ; Joey Hartstone LBJ ; Mark Heyman Black Swan, The Skeleton Twins ; Zoe Lister-Jones Lola Versus, Band Aid ; Larry Karaszewski Ed Wood, Man on the Moon ; Peter Landesman Mark Felt: The Man Who Brought Down the White House ; Phyllis Nagy Carol ; Kumail Nanjiani The Big Sick ; Jordan Peele Get Out, Keanu ; Zak Penn Behind Enemy Lines, X-Men: Last Stand ; Jason Reitman Thank You for Smoking, Up in the Air ; John Ridley U-Turn, 12 Years a Slave ; Angela Robinson D.
Melissa Rosenberg Step Up, Twilight ; Gary Ross Pleasantville, Seabiscuit ; Eric Roth Forrest Gump, Munich ; Paul Schrader Taxi Driver, Affliction ; Wesley Strick Cape Fear, Wolf ; Michael Weber and Scott Neustadter Days of Summer, The Disaster Artist ; The quality most writers and critics associate with Billy Wilder is cynicism, and he did have a wry view of a certain kind of American self-interest and low cunning.
In some of his best-loved scripts — Double Indemnity, The Lost Weekend, Sunset Boulevard, Stalag 17, The Apartment — his protagonists lie, disguise their true motives and themselvesand make rotten moral choices that end in their deaths or a terrible shock to their souls.
Those of his characters who found their integrity did so too late to make much of a difference. They did find it, though. Wilder was committed to plumbing the depths but not to leaving his protagonists in the muck. His most influential film, the multi-Oscar-winning The Apartment, is the one that played it both ways.
But in the end he turns out to be a lovable little man who loses his job but recovers his soul. His second collaboration with Diamond was the cross-dressing classic Some Like It Hot, one of the greatest of all American slapstick farces. In his best films, every beat, best movie review writer for hire usa, every syllable clicks into place. The repartee in Double Indemnity seems distilled to pure erotic gamesmanship. Though their projects range from pitch-black No Country for Old Men to zany The Hudsucker Proxythey all share a certain detached humor and a knack for skewering human weakness.
Weber and Scott Neustadter. Barton FinkThe Big Lebowski, even No Country for Old Men — they all seem funnier now. The Coens prove that comedy is tragedy plus time. Towne also put Bonnie and Clyde in the right order — another anonymous job — and then, ironically, spent years fighting for control over the scripts he did write, best movie review writer for hire usa.
I was thrilled! From script to screen, all of his pictures are, on some level, movies about movies — whether that comes in the form of passionate homages to genres and past flicks, or as is true in the aforementioned Basterds meditations on the literal power of celluloid. The Conversation. The Godfather Part II. Apocalypse Now. A film like The Conversation, which dissects the basic cinematic act of observation in a way that still feels mind-altering, is the epitome of screenwriting. And, to top it off, he literally wrote the book on Hollywood screenwriting — and then wrote it again.
The screenwriter behind Being John Malkovich and Eternal Sunshine of the Spotless Mind populates his high-concept, surrealist stories with uncanny-valley versions of ordinary people, and pushes them into unexpectedly emotional terrain. Kaufman opened up the possibilities for what a Hollywood film could do, making himself and his imaginary twin brother the heroes of Adaptation and, in the marvelous Synecdoche, New York his directorial debutcrafting an epic about a man who turns his life into an all-consuming art project.
He bakes existential crisis into his scripts at the thematic and structural level. Not that he best movie review writer for hire usa them: Allen has always been about the work, and the work is ongoing. Do you like Annie Hall best? Or Manhattan? Or the earlier, funnier stuff?
Smarter, funnier, and a little bit naughtier than women of her generation were usually allowed to be, she was the contemporary embodiment of the Algonquin roundtable. Name a scribbler of his era who demonstrated such diverse range as he did, adroitly scripting musicals West Side Story, The Sound of Music, Hello, Dolly!
As comfortable with pathos as he was with humor, fluent in tough-guy-ese and rosy sentimentality alike, Lehman is the very definition of midcentury film writing. Characters experience anguish gloriously in a Paul Schrader screenplay. That quintessential anti-hero drama inspired everything from Unforgiven to Nightcrawlerand ever since, Schrader has continued exploring themes of disillusionment and toxic masculinity in films as varied as Raging Bull and The Mosquito Coast.
If Stone had decided to just stay a screenwriter and never directed a film, he could always look back at his fantastic run from toin which the NYU grad — who enrolled three years after fighting in Vietnam to discover Martin Scorsese was his film teacher — wrote Scarface, Conan the Barbarian, Year of the Dragon, and Midnight Best movie review writer for hire usa for which he won a Best Adapted Screenplay Oscar.
For most scriptsthe rule of thumb is one page accounts for one minute of screen time. But Sorkin is bound by no such laws and has best movie review writer for hire usa been known to pack MoneyballThe Social Networkand even pages Steve Jobs of blazingly paced ping-pong dialogue into tidy two-hour running times, best movie review writer for hire usa.
The same way all idealistic politicians start out wanting to be JFK, all idealistic writers start out wanting to be Paddy Chayefsky. His work inspired countless good-hearted liberals to pick up a typewriter and try to write the next Great American Script; only a few, including Aaron Sorkin and David Simon, even came close.
It also examined the fragile, human cost of that society gone off the rails. Few filmmakers and screenwriters have done more to change their industry, simply by never compromising. For proof, look no further than the career of George Lucas, for whom human speech has served as an occasional stumbling block. In marrying the aesthetics of the pulp serials of his youth to formal lessons gleaned from Joseph Campbell, he quite literally created the template for plus years of blockbusters.
Once he became a director, however, he helped transform the industry. But his real achievement lies not in the barriers he broke best movie review writer for hire usa the credits he accrued. It lies in the fact that he wrote brilliant, hilarious, savage portraits of American life, best movie review writer for hire usa, best movie review writer for hire usa no institution or sacrament escaping his devastating wit and irony.
Has any comedy writer ever been able to match him? Could have been written yesterday. In masterpieces like A Space Odyssey and Barry Lyndonthis meticulous artist sought to preserve the spirit of the source material without being enslaved by it. What could be a greater act of love than to put your heart and soul into translating the power of the written word onto the grand canvas of a movie screen? He was peerless. He began as Altman-PTA, who assembled gargantuan ensemble pieces about interconnectedness and salvation such as Boogie Nights and Magnolia.
He transitioned into Kubrick-PTA mode after getting a career-best performance out of Adam Sandler in Punch-Drunk Loveadapting dense literature There Will Be BloodInherent Viceand focusing on troubled, intense, complicated men, best movie review writer for hire usa. Binding these two halves together is a persisting fascination with how lost people find their way in the world, whether through the makeshift families of his early work or the restless existential searching of his later films.
Formerly a comedy writer for Mel Brooks — as well as an anarchic comedian who helped create Get Smart — Best movie review writer for hire usa was the rare writer celebrity, and his frequent television appearances were as dry and droll as his scripts. If he had retired inafter his first two produced screenplays, Lawrence Kasdan would still be a legend in Hollywood, thanks to two little movies called The Empire Strikes Back and Raiders of the Lost Ark. Before then, Kasdan was mainly known as a young writer who had sold an unproduced film called The Bodyguardwhich finally got made in and also became a huge hit.
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